AlexanderFedorov

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  • Tenor
Promotional photograph of Alexander Fedorov
Promotional photograph of Alexander Fedorov

About Alexander

In the 2024/25 season Alexander will return to Tiroler Landestheater Innsbruck for Fenton in Falstaff and Lensky in Eugene Onegin. Last season he sang the role of the Prince in Love for Three Oranges as well as Stravinsky's Les Noces and he gave his debut in The Nose at Bayerische Staatsoper, conducted by Vladimir Jurowski and directed by Kirill Serebrennikov.

Fedorov was educated in Germany in the opera studio at Komische Oper Berlin, and has appeared as a guest at l'Opéra de Monte-Carlo, Graz Opera, George Enescu Festival and the Mariinsky Theatre. Recent highlights include Renard, The Night Before Christmas and Les Noces with the Berlin Philharmonic. On the stage, he recently appeared in Dmitry Tcherniakov's productions of War and Peace at Bayerische Staatsoper and From the House of the Dead at Ruhrtriennale Festival. In the ensemble of the Mariinsky Theatre he has sung the roles of Lensky (Eugene Onegin), Alfredo (La traviata), Belmonte (The Abduction from the Seraglio), Conte Almaviva (Il Barbiere di Siviglia), Kai (The Story of Kai and Gerda), and Anatole Kuragin (War and Peace).

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Contact

Seb Mallet

Seb Mallet

Artist Manager

Representation

Worldwide general management with Askonas Holt

Follow Alexander

Season Highlights

Oct 2024 - Jan 2025
Tiroler Landestheater
Falstaff (Fenton) Matthew Toogood (conductor) Tobias Ribitzki (director) Role Debut
Mar 2025 - Jun 2025
Tiroler Landestheater
Eugene Onegin (Lensky) Matthew Toogood (conductor) Eva-­Maria Höckmayr (director)

Photos

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Selected Repertoire

Banevich

The Story of Kai and Gerda (Kai)

Bizet

Carmen (Jose)   •   Les pêcheurs de perles (Nadir)

Borodin

Prince Igor (Vladimir Igorevich)

Donizetti

L’elisir d’amore (Nemorino)   •   Lucia di Lammermoor (Edgardo)

Dvořák

Rusalka (Prince)

Giordano

Fedora (Loris)

Gounod

Faust (title role)   •   Romeo et Juliette (Romeo)

J. Strauss

Die Fledermaus (Eisenstein)

Krenek

Der Diktator (Offizier)

Lehar

The Merry Widow (Camille de Rosillon)

Massenet

Werther (title role)

Mozart

Don Giovanni (Don Ottavio)   •   Die Zauberflöte (Tamino)   •   Così fan tutte fan tutte (Ferrando)   •   Die Entführung aus dem Serail (Belmonte)

Offenbach

Orphée aux enfers (Orphée)

Prokofiev

War and Peace (Anatol Kuragin)   •   Love for the Three Oranges (Prince)

Puccini

Gianni Schicchi (Rinuccio)   •   La bohème (Rodolfo)   •   La rondine (Ruggero Lastouc)

Rimsky-Korsakov

Christmas Eve (Vakula)   •   May Night (Levko)   •   The Tale of Tsar Saltan (Gvidon)   •   Tsar’s Bride (Lykov)

Rossini

Il barbiere di Siviglia (Conte Almaviva)   •   Il Viaggio a Reims (Conte di Libenskof, Chevalier Belfiore)

Rubinstein

Demon (Prince Sinodal)

Tchaikovsky

Eugene Onegin (Lensky)   •   Iolanta (Count Vaudemont)

Verdi

La Traviata (Alfredo)   •   Rigoletto (Duca)   •   Falstaff (Fenton)

Weinberg

The Idiot (Myshkin)

Press

  • The Love for Three Oranges

    Tiroler Landestheater
    Sep 2023 - Nov 2023

    • Dies gilt ebenso für den in allen Lagen leuchtenden Tenor Alexander Fedorow, der als Prinz das daumendrückende Publikum auf seiner Seite hat. [Translated] This also applies to the tenor Alexander Fedorov , who shines in all registers and, as the prince, has the audience on his side.

    • Il principe di Alexander Fedorov ha una voce ben impostata e facile agli acuti. [Translated] Alexander Fedorov 's prince has a well-established voice with easy treble.

    • …ist ein perfekter und klangstarker König, ein voluminöser Bass der stimmlich schön und präzis die Aspekte seiner Rolle auslotet. Dies gilt ebenso für den in allen Lagen leuchtenden Tenor Alexander Fedorow, der als Prinz das daumendrückende Publikum auf seiner Seite hat. [Translated] ...is a perfect and powerful king, a voluminous bass who explores the aspects of his role beautifully and precisely. This also applies to the tenor Alexander Fedorov, who shines in all registers and, as the prince, has the audience on his side.

    • Als eine Art Anti-Siegfried, ein Märchenheld auf Abwegen, der stimmlich ganz schöne Herausforderungen zu meistern hat und oft in die höchsten Regionen vordringt. Chapeau! [Translated] As a kind of anti-Siegfried, a fairy-tale hero who goes astray, who has to overcome quite a few challenges vocally and often reaches the highest regions. Cheers!

      • Kronen Zeitung Tirol
      • 01 October 2023

  • The Night Before Christmas

    Berlin Philharmonic
    Dec 2022

    • Alexander Fedorov war mehr Teufelchen auf der Schulter als die Inkarnation des Bösen, erntete für seine Possen am Ende des Abends aber den womöglich lautesten Jubel. [Translated] Alexander Fedorov was more of a devil on his shoulder than evil incarnate, but he received perhaps the loudest cheers for his antics at the end of the evening.

  • Falstaff

    Tiroler Landestheater
    Oct 2024

    • Alexander Fedorov als Fenton, dessen strahlender Tenor zur Hochform aufläuft" [Translated] "Alexander Fedorov as Fenton, whose radiant tenor is at its best.