DavideLuciano

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  • Baritone

About Davide

Davide Luciano has established himself as one of the most compelling baritones of his generation. His 2025/26 season includes Sharpless Madama Butterfly at Opernhaus Zurich, Marcello La bohème at the Metropolitan Opera, New York, Escamillo Carmen at Teatro la Fenice and the Salzburg Festival, and Count Almaviva in a Japanese tour of Le nozze di Figaro with Wiener Staatsoper. In 2026/27, his roles include Scarpia Tosca in his house debut at Staatsoper Berlin, Marcello La bohème at the Bayerische Staatsoper and the Puccini Opera Festival, Zurga Les pêcheurs de perles at Wiener Staatsoper, and the title role in Don Giovanni and Belcore L'elisir d'amore in his house debut at Opéra national de Paris.

Luciano regularly performs in leading international opera houses and festivals, with further recent roles including Enrico Lucia di Lammermoor, Riccardo I puritani, Count Almaviva Le nozze di Figaro, Guglielmo Così fan tutte, Malatesta Don Pasquale, Ford Falstaff, and Nottingham Roberto Devereux.

First gaining recognition as a leading interpreter of the Rossini repertoire, Luciano made ten role debuts at the Rossini Opera Festival in his early career. A specialist in bel canto, he is widely regarded as a leading Figaro Il barbiere di Siviglia, as well as a distinguished interpreter of the title role in Mozart's Don Giovanni, having performed both worldwide to great critical acclaim. He was awarded the Premio Illica for his portrayals of Puccini roles, and is a specialist in the Neapolitan song tradition, to which he dedicates concert projects in international settings.

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Contact

Angelica Conner

Angelica Conner

Senior Artist Manager
Charlotte Bateman

Charlotte Bateman

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

Season Highlights

Oct 2026
Staatsoper Berlin
Scarpia (Tosca)
Nov 2026
Bayerische Staatsoper
Marcello (La bohème)
Dec 2026
Wiener Staatsoper
Zurga (Les pêcheurs de perles)
Mar 2027
Opéra National de Paris
Belcore (L'Elisir d'amore)
May 2027 - Jun 2027
Opéra National de Paris
Don Giovanni (Don Giovanni)

Photos

Press

  • Sharpless (Madama Butterfly)

    Opernhaus Zurich
    Jan 2026

    • Making his Zurich debut, Davide Luciano cut a commanding figure as Sharpless. His strong projection, clear diction, and musical phrasing demonstrated why this role suits him so well.

    • For his Zurich debut, Davide Luciano portrayed an authoritative Sharpless. His clear projection, limpid diction, and musical phrasing demonstrated an evident affinity for the role.

    • Davide Luciano, with his rich, wonderfully robust baritone, delivers a (in the best sense) frighteningly believable Sharpless...

  • Figaro (Il barbiere di Siviglia)

    The Metropolitan Opera
    Apr 2025

    • Luciano is a terrific Figaro, with a rich, penetrating voice that combines with his stage manner to project the confident, good-natured virility that is the character. His “Largo al factotum della città,” the first of several highlights of the night, was full of swagger and style, and he struck a knowing pose and took a charming bow during the applause that followed—an old-school opera experience in the best sense.

    • Figaro became the star of the evening, with Davide Luciano displaying a commanding presence (surpassing the other singers on stage), enlivening each of his appearances with a vibrant energy. His clear timbre, supported by his vocal range and stage presence, resulted in solos that received several standing ovations.

    • The standout performer in this performance was Davide Luciano. As Figaro, the charismatic, silver-tongued barber of the title, a character he has portrayed in multiple houses over the past decade, he displayed great comfort in the role. A strong and vivacious stage presence, he made a sensational Act 1 entrance, lounging atop of an oversized wagon pulled by adoring admirers, with a live donkey in tow. Strutting the stage with aplomb, singing with self-assurance and enthusiasm, he performed brilliantly all evening. With his appealing high baritone and impeccable diction, he had no difficulty with the opera’s most popular number, the tongue-twisting “Largo al factotum” in which Figaro reels off his numerous, highly varied talents.

    • Davide Luciano is a terrific Figaro, navigating the role with litheness and zest. He arrived on stage atop a cart drawn by a bevy of women, and it opens to display the wares he sells. There is a donkey, but it lags behind the cart, tethered by a rope. Luciano tossed off ‘Largo al factotum’ with aplomb, the first indication of just how fine a Figaro he is.

    • Baritone Davide Luciano has done some outstanding Met work, including as Puccini’s Marcello and Schaunard. His confident, energetic Figaro won huge ovations. He certainly deserved them for his vivid and imaginative recitatives...

    • Davide Luciano portrayed the ingenious factotum of the city and enjoyed his greatest triumph to date in New York. A baritone with deep Italian roots, forged in the theaters of his native country and already a regular at the great European opera houses, he delivered a charismatic Figaro, with a broad and flexible sound, a secure vocal line, and a seductive personality. From his triumphant entrance with “Largo al factotum,” he imbued his performance with the necessary charm for the barber to establish himself as the true master of the game. His well-rounded and projected voice alternated between physical humor and bel canto elegance, making each intervention a delight for the ear.

  • Belcore (L'elisir d'amore)

    Wiener Staatsoper
    Mar 2025

    • Davide Luciano completed the quartet of aces, with a booming voice and expressive flair for Belcore , who also moved around the stage as if it were his own living room.

  • Marcello (La bohème)

    The Metropolitan Opera
    Apr 2023

    • Davide Luciano’s portrayal of Marcello was lively and uncanny. He sang with precision, gusto and an underlying sense of keen self-deprecation that garnered a lighthearted painter, sometimes hard to find in these larger than life tenor roles. He absolutely enjoyed what he was singing, beginning with “Questo Mar Rosso,” and leaned into this pleasure trove of delight, as an over-the-top “starving artist.” There was also a feeling of confidence that Luciano eluded but never fully revealed, that made him charming but not overtly so. The audience was either smiling or openly laughing whenever he was present. Luciano continued to carry the bulk of this opera’s comic relief all throughout. Especially, in the iconic Act two scene when Musetta, Marcello’s former lover, teases and taunts him. Luciano stood out, in a good way.

  • Don Giovanni (Don Giovanni)

    Auditorium Rainier III, Monaco
    Jan 2025

    • Davide Luciano as Don Juan, with his virile, triumphant voice, chest puffed out, and powerful acting...

  • Sir Ricciardo Forth (I puritani)

    Teatro San Carlo
    Sep 2022

    • Davide Luciano's Sir Riccardo Forth immediately stands out for his sumptuous vocal abilities, brilliant timbre, vocal projection, and spontaneous, effective interpretation. His is a tormented Riccardo, a frustrated lover torn apart by his grief, yet without losing his nobility. The cavatina "Ah per sempre io ti perdei" is approached with sculpted phrasing, with attention to the scenic word, which, in Davide Luciano's interpretation, makes Bellini a precursor of Verdi's dramatic accents and tensions.

  • Enrico (Lucia di Lammeroor)

    Macerata Opera Festival
    Aug 2023

    • Davide Luciano's Enrico is a capital one, characterised by an almost perfect singing line on which a lush phrasing is based.

  • Don Giovanni (Don Giovanni)

    Salzburg Festival