RobinTicciati
- Conductor


About Robin
Music Director: Glyndebourne Festival Opera Honorary Member: Chamber Orchestra of Europe
Robin Ticciati OBE is Music Director of Glyndebourne Festival Opera and Honorary Member of the Chamber Orchestra of Europe. He was Music Director of the Deutsches Symphonie-Orchester Berlin from 2017 - 24 and Principal Conductor of the Scottish Chamber Orchestra from 2009 – 18.
He is a regular guest conductor with the Bavarian Radio Symphony Orchestra, Budapest Festival Orchestra and the London Philharmonic Orchestra. Other recent highlights have included appearances with the Berliner Philharmoniker, London Symphony Orchestra, Orchestre de Paris, Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig and Dresden Staatskapelle. In the US, he has appeared with The Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and the San Francisco Symphony Orchestra.
This season, Robin returns to the Wiener Philharmoniker, Bavarian Radio Symphony Orchestra, Czech Philharmonic, Rotterdam Philharmonic, Swedish Radio Symphony Orchestra, Orchestra of the Age of Enlightenment and at the BBC Proms with the Chamber Orchestra of Europe. He makes debuts with the Orchestre Philharmonique de Radio France and with the Montreal and Pittsburgh Symphony Orchestras.
A renowned opera conductor, he has led productions at Teatro alla Scala Milan, Staatsoper Berlin and the Metropolitain Opera, New York. This season, he debuts at the Wiener Staatsoper (Carmelites), future plans include his debut at the Bayerische Staatsoper.
Contact
For availability and general enquiries:

Henry Lindsay

Donagh Collins
For contracts, logistics and press:

Jemima Pickersgill
Representation
Season Highlights
Photos
News
Press
Mozart's World: The Last Symphonies
Royal Festival HallFeb 2026Ticciati’s conducting style is exuberant and expansive, with a dance-like mime-artist approach to gesture and an almost romantic approach to interpretation.
- Andrew Benson-Wilson
- 28 February 2026
Dialogues des Carmelites
Wiener StaatsoperNov 2025Conductor Robin Ticciati masterfully and exuberantly navigated the changing and moody dynamics of the rich score, with confident and moving conducting making that music soar.
- Opera Wire
- 19 December 2025
Symphonie Fantastique
Heinz HallOct 2025Tentative beginnings introduced a dreamlike trance, and Ticciati teased out the richness of the strings, favoring minimal vibrato. I was struck by his energetic conducting, nearly using his entire body as his baton danced along to the music.
- quasi-faust
- 12 October 2025
BBC Proms
Royal Albert HallSep 2025Ticciati's conducting meant the orchestra melted into the vocals in the most exquisite manner.
- Broadway World
- 08 September 2025
Parsifal
Glyndebourne Festival OperaMay 2025 - Jun 2025Robin Ticciati and the London Philharmonic Orchestra are back with an enthralling Parsifal that is well paced, beautifully balanced and with a palpable feel for Wagner’s many-layered, floating clouds of sound.
- Financial Times
- 19 May 2025
Conductor Robin Ticciati coaxes superbly detailed and supportive playing from the London Philharmonic Orchestra, woodwind especially beguiling.
Poulenc Double Bill: La Voix Humaines and Les Mamelles
Glyndebourne Festival OperaTicciati and the London Philharmonic Orchestra relish every note.
- The Times
- 10 August 2022
Walton Viola Concerto & Brahms Symphony No. 4
Barbican CentreRobin Ticciati’s daringly prolonged upbeat to the opening phrase of the first movement heralded a reading of heartfelt empathy. Lovingly phrased and warmly expressive, it perhaps benefited from Ticciati’s recent engagement with Wagner’s Tristan und Isolde: certainly the long legato lines and richness of texture put one in mind of Brahms’s arch-rival
- Evening Standard
- 07 October 2021
La damnation de Faust
Glyndebourne Festival OperaTicciati, an exemplary Berliozian, conducts with great beauty and a keen sense of dramatic pace. The London Philharmonic play with refined sensuousness of detail, while the Glyndebourne Chorus, augmented for the occasion, sound terrific throughout
- The Guardian
- 19 May 2019
London Philharmonic Orchestra
Royal Festival HallThe Bruckner symphony was a transcendent experience. Ticciati, perhaps the most spiritual as well as naturally gifted of the younger conductors, drew playing of endlessly fascinating precision, ensured a marvellous blend at a marvellously adjusted pace, and, though he couldn’t be faulted for the sense of architectural cogency imparted, was at the same time supremely able to let the music breathe: an organism. It is, I think, Bruckner’s most perfect symphony, and this performance had me feeling it is his greatest.
- The Times
- 06 February 2019



















